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After what has felt like an eternity since his last release, albeit a leaked version of his album, “Great Shakes” back in 2007 is a new full length from the man himself, Whitey! His new album is titled, “Canned Laughter” and can be purchased here from Amazon: Canned Laughter. On this particular track whitey incorporates more dance floor ethos with a driving rock edge floor stomper in Dinosaur. And all i have to say is, welcome back Whitey! By the way the track starts off with “canned laughter” so let this track breath for a minute for it to really build.
He also has a new blog up here: http://njwhitey.wordpress.com/
buy from Amazon
listen on myspace

who just released a fine little album earlier this year with frequent partner Lindstrøm, is the second long-form selecta this year to celebrate a decade of Offenbach’s Robert Johnson club with an eclectic mix of dance cuts. Thomas, like much of the post-twentieth century dancefloor milieu, tends to favor repressed or taunted sounds, aggregating music’s punchlines-neobalaeric, prog-fusion, Italo-disco- with the hottest new techno or disco tunes to put them all on a level playing field. As such, he finds no difficulty in seamlessly intercutting just about whatever he chooses into his deejay sets.
Listen and buy Prins Thomas “Live At Robert Johnson Vol. 2” on Robert Johnson HERE.
Pampa is a new label from old pals DJ Koze and Marcus Fink, dedicated to releasing club music that’s seriously danceable without recourse to the tried and tested ingredients. A home for house and techno tunes that will conquer hearts and take root there forever, music that’s brave and not afraid to break with convention. The first release is by Die Vogel, a collaborative project between Jakobus Siebels and Mense Reents. Jakobus is an innovative multi-instrumentalist who has previously recorded distinctive albums for Tomlab, Chicks On Speed Records, Karaoke Kalk; the no less talented Reents is a member of the groups Egoexpress, Die Goldenen Zitronen and Stella, and operates the Art Blakey Studios in Hamburg where this EP was recorded. Listening to A-side ‘Blaue Moschee’ you immediately know this going to be a strange and wonderful trip: oompa-style brass looped and layered over a stripped-back kickdrum, this tunes messes with all received notions of what house/techno music is! With a musicality and wicked sense of humour that naturally appealed to Koze and Fink, Siebels and Reents have created a timeless dancefloor banger using the most unlikely of elements. The result definitely isn’t “jazzy techno” - the brass, far from being an afterthought, it’s the very substance of the thing; it provides the melody, the bass, and the rhythm. Brass is the driving force behind the whole EP. B1, ‘Petardo’, is likewise driven by growling trombones and tubas, this time offset by cooing woodwind and set to a rolling, almost tribal drum tattoo. The horn chords are reminiscent of moody 60s British jazz, while the woodwind lends a South American fire and flair to proceedings. The track is full of subtle edits, but Siebels and Reents don’t overwhelm the mix with synthesized sounds, instead letting the acoustic instruments speak for themselves. Closer ‘Empire’ again finds exquisitely arranged brass parts interlocking into a tough, single-minded groove, underscored with a skippy, broken.

Simian Mobile Disco will celebrate the release of new album Temporary Pleasure by creating the first ever “human augmented reality music and visuals mixer”.
The piece, designed by Kate Moross and produced by London-based Inition using “Magic Symbol” technology will be installed at the Temporary Pleasure shop on Soho’s Carnaby Street for the week of August 17-21, midday to 6pm each day.
“The installation is an interactive augmented reality experience, which means visitors to the shop will be able to interact with a brand new never-heard-before SMD creation. What is augmented reality? I hear you cry. Well, augmented reality (AR) a new medium, which mixes real-world and computer-generated images (virtual reality), making it look like virtual objects exist in the real world.”
Speaking about the Temporary Pleasure shop SMD said, “this installation reflects the concepts behind the record - it’s brief, fun, and how could we resist the chance to augment the reality of the general public? We think people are going to really love the technology. The AR technology is amazing and we think people are going to love it.”
Simian Mobile Disco - Audacity of Huge

France’s Arnaud Rebotini of Black Strobe finally released his solo album “Music Components” to North America. The entire album was recorded using analog equipment without the use of a computer or external sequencer. It’s a great album, and will certainly be appreciated by fans of Black Strobe and celebrated by collectors of analog.